This book seeks to understand the major mythological role models that mark the moral landscape of young Hindu women. Generally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, Krishna’s clandestine lover, seems to challenge some of these norms. The

This volume is about exchange of religious ideas, focusing on channels of transmission and translation, both inter- and trans-culturally. It looks at the circulation of ideas in early modern India, with an eye to identify moments of change and its agents. The main questions under investigation are: How are religious traditions transmitted? At which point

In The Politics of Women’s Rights in Iran, Arzoo Osanloo explores how Iranian women understand their rights. After the 1979 revolution, Iranian leaders transformed the state into an Islamic republic. At that time, the country’s leaders used a renewed discourse of women’s rights to symbolize a shift away from the excesses of Western liberalism. Osanloo

Between the mid-eighteenth and mid-nineteenth centuries, Qing rulers, officials, and scholars fused diverse, fragmented perceptions of foreign territory into one integrated worldview. In the same period, a single “foreign” policy emerged as an alternative to the many localized “frontier” policies hitherto pursued on the coast, in Xinjiang, and in Tibet. By unraveling Chinese, Manchu, and

In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema’s many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that

The Gandharan Buddhist Texts series presents editions, translations, and studies of the British Library’s unique collection of Buddhist manuscripts in the Gandhari language, dating from the first century AD. Gandharan Avadanas features editions and studies of five fragmentary scrolls containing collections of avadanas, or edifying stories. The manuscript fragments presented here comprise twenty-one avadanas that

This volume continues the detailed examination of the British Library Kharosthi scrolls – extremely fragile and brittle fragments of manuscript on birch-bark rolls. Although their provenance is uncertain, there are strong indications that they came from Hadda in eastern Afghanistan and were most likely written in the early first century A.D. during the reign of

This book conducts a post-colonial, gendered investigation of women-centred South Asian films. In these films, the narrative becomes an act of political engagement and a site of feminist struggle: a map that weaves together multiple strands of subjectivity―gender, caste, race, class, religion, and colonialism. The book explores the cinematic construction of an oppositional narrative of

The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to “create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward

Challenging the commonly accepted belief that the distinctive rituals, ceremonies, and cultural practices associated with the Khalsa were formed during the lifetime of the Tenth and last Sikh Guru, Gobind Singh, Purnima Dhavan reveals how such markers of Khalsa identity evolved slowly over the course of the eighteenth century. By focusing on the long-overlooked experiences