This book reexamines the emergence of Urdu as a literary and poetic language in the 18th century, at the time called Rekhtah, highlighting its engagement with diverse regional cultures and communities in South Asia. Sharing Poetry’s Pleasures reframes the history of Urdu within the diverse contexts from which it emerged. It places the earliest Urdu-Rekhtah

In Indian languages from Sanskrit to Marathi, yoga has an enormous range of meanings, though most often it refers to philosophy or methods to control the mind and body. This book argues for a wider understanding, demonstrating that yoga has long expressed political thought and practice. The political idea of yoga names the tools of

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading across Borders demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. This book charts the individuals, institutions, and conversations that made this exchange possible,

The Palgrave Handbook of New Directions in Kashmir Studies provides a comprehensive, interdisciplinary and transregional perspective on the Kashmir dispute. Spanning South and Central Asia, Kashmir has been at the center of geopolitical conflicts and rivalries among India, Pakistan and China for decades, with members of heterogeneous local communities negotiating the complexities of regional state formations, national

The ‘Indian Mona Lisa’ is an eighteenth-century portrait of the goddess Radha from the Kishangarh school of Rajput Painting. It was purportedly modelled after a young enslaved woman and court-performer, Banī-ṭhanī, who became a concubine of the patron of the painting, crown-prince Savant Singh. Tracing her career, Heidi Pauwels recovers her role as a composer of

This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks. By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely “global” history of architectural modernism might begin to look like. Its

Empire of Convicts focuses on male and female Indians incarcerated in Southeast Asia for criminal and political offenses committed in colonial South Asia. From the seventeenth century onward, penal transportation was a key strategy of British imperial rule, exemplified by deportations first to the Americas and later to Australia. Case studies from the insular prisons of

Heritage Conservation in Postcolonial India seeks to position the conservation profession within historical, theoretical, and methodological frames to demonstrate how the field has evolved in the postcolonial decades and follow its various trajectories in research, education, advocacy, and practice. Split into four sections, this book covers important themes of institutional and programmatic developments in the field

Aditya Prakash belonged to the first generation of Indian modernists, a lodestar group of civil servants under Jawaharlal Nehru’s leadership immediately after Independence, at a time when the connectivity between city, citizen and nation seemed vibrant and expanding. Ignoring disciplinary boundaries, Prakash viewed all aspects of his work as multiple dimensions of a single quest—to