{"id":2093,"date":"2022-03-01T19:07:11","date_gmt":"2022-03-01T19:07:11","guid":{"rendered":"https:\/\/jsis.washington.edu\/taiwan\/?p=2093"},"modified":"2024-05-10T21:01:51","modified_gmt":"2024-05-10T21:01:51","slug":"feb-27-mar-13-symphony-47-a-multi-media-human-rights-festival-live-on-demand","status":"publish","type":"post","link":"https:\/\/jsis.washington.edu\/taiwan\/2022\/03\/01\/feb-27-mar-13-symphony-47-a-multi-media-human-rights-festival-live-on-demand\/","title":{"rendered":"[Feb 27 – Mar 13] SYMPHONY 47: A Multi-Media Human Rights Festival (Live & On-Demand)"},"content":{"rendered":"

In partnership with Asiania, we are thrilled and\u00a0honored to invite you to\u00a0Symphony 47<\/strong>, a multi-media\u00a0festival in commemoration of the February 28th Incident\u00a0in Taiwan.\u00a0The festival is available live and on-demand from February 27 to March 13, 2022.<\/strong><\/p>\n

Experience musical and\u00a0drama performances\u00a0as well as\u00a0a variety of panels with front-line activists and influencers from across the globe as they discuss social and human rights issues within media, music, entertainment, and other industries.<\/p>\n

Registration\u00a0<\/em>to all the Symphony 47 events is required but\u00a0FREE<\/em><\/strong>. Check out the exciting lineup below and on the\u00a0festival website<\/a>\u00a0(https:\/\/www.symphony47.com\/<\/a>).<\/p>\n

\n

\"\"<\/p>\n

Feb 27 \u2013 Mar 13 (VOD) | PANEL |\u00a0Register<\/a><\/span>
\nOpening: Taiwan\u2019s Democracy and Music: Between Authoritarianism and the China Factor<\/strong>
\nwith\u00a0Miaoju Jian<\/strong>\u00a0(Professor of Communication at National Chung Cheng University),\u00a0Lev Nachman<\/strong>\u00a0(Postdoctoral Research Fellow at the Harvard Fairbank Center), and\u00a0Chen-Yu Lin<\/strong>\u00a0(Co-curator at Symphony 47)<\/p>\n

While popular music often records historical events and national identities, it is also a catalyst for social change. From the February 28 incident to the 318 Movement, music in Taiwan resonates with the transformation of the society\u2014seeing the transition from authoritarian rule to a democratic system. This panel will explore the link between music and movements, examining the role of music and musicians in social and political movements in contemporary Taiwan. By investigating the ways the China Factor influences music production and consumption, we will also discuss challenges and opportunities for musicians today.<\/p>\n

\n

\"\"<\/strong><\/p>\n

Feb 27 \u2013 Mar 13 (VOD) | MUSIC FESTIVAL PERFORMANCE |\u00a0Register<\/a><\/span>
\nGong Sheng Music Festival<\/strong><\/p>\n

Gong Sheng Music Festival<\/strong>\u00a0is a campaign initiated and operated by a group of young people, mostly university students, since 2013. The festival is named after the belief in and pursuit of \u201cGongsheng\u201d\u2014coexistence, with the intention of commemorating the February 28th Incident and addressing the anxiety about the divergent identities in our island nation. The 228 Incident was an anti-government uprising in Taiwan in 1947 that was violently overpowered by the local government led by the Kuomintang (KMT), the Chinese nationalist party. We hope the remembrance of this incident, the greatest trauma in Taiwan\u2019s history, can help transform the wound into an opportunity for mutual understanding, and encourage the possibility for reconciliation as well.<\/p>\n

\n

\"\"Feb 27 \u2013 Mar 13 (VOD) | RADIO DRAMA (in Mandarin with English subtitles) |\u00a0Register<\/a><\/span>
\nYanhong<\/strong>
\nwith\u00a0Voice Infinity Radio Drama Studio<\/strong><\/p>\n

From the first sight of Yanhong, Kai Xi couldn’t take his eyes off it. The beautiful Yanhong is like an elegant whale, unable to ignore, and swimming into Kai Xi\u2019s heart. Even though they\u2019re in several dangerous situations, he still couldn’t restrain his desire to approach Yanhong after struggling. Pen and blasting are so different, but they are the most suitable partners. Dazhong took Kaixi’s pen, and Yanhong asked for it back for him. Outside the execution ground, he was dragging a whole car of bombs, which was also the most powerful protest.<\/p>\n

 <\/p>\n

\n

\"\"Feb 27 \u2013 Mar 13 (VOD) | PANEL |\u00a0Register<\/a><\/span>
\nWhat Does Gender Equality in Entertainment Industry Look Like: The Perspectives of a Global Community<\/strong>
\nwith\u00a0Nina Kehagia<\/strong>\u00a0(Co-Director & Education Manager at shesaid.so)\u00a0and\u00a0Chen-Yu Lin<\/strong>\u00a0(Co-curator at Symphony 47)<\/p>\n

Nina Kehagia will share her work advocating gender equality in the music and entertainment industry at Shesaid.so. Shesaid.so was founded by Andreea Magdalina in London in 2014, in response to the gender inequality in the music and entertainment industry Through organizing events, connecting underrepresented groups, and providing training, shesaid.so aims to make sustainable change. At this moment, the organization has nineteen locations around the world. This panel provides a comparative perspective by focusing on different countries (UK, USA, and Taiwan) \u00a0and discussing the challenges that remain in the pursuit of gender equality as well as different strategies to tackle them.<\/p>\n

\n

\"\"Mar 4 at 5:00 p.m. PT (LIVE & VOD)\u00a0| PANEL |\u00a0Register<\/a><\/span><\/strong>
\nHow to Imagine a Brighter Future in the Face of Authoritarianism: The Cases of Hong Kong and Taiwan<\/strong>
\nwith\u00a0Sunny Cheung<\/strong>\u00a0(Activist and politician),\u00a0Dr. Harry Yi-jui Wu<\/strong>\u00a0(Historian of medicine), and\u00a0Chen-Yu Lin<\/strong>\u00a0(Co-curator at Symphony 47)<\/p>\n

While the history of contemporary Taiwan is one with many struggles between political powers as well as pressure from China, in the past few years, Beijing has oppressed freedom and democratic values in Hong Kong. Sunny Cheung is an activist and politician who participated in the Umbrella Revolution of 2014 and the protests in the following year. Dr. Harry Yi-jui Wu is a historian of medicine as well as a song-writer that has a focus on Taiwanese literature and social movement. He also lived and worked in the higher education system in Hong Kong. These two renowned speakers will discuss the state of political and academic freedom in Hong Kong today and whether arts, culture, and music can play a role in standing against an authoritarian state.<\/p>\n

\n

\"\"Mar 11 at 5:00 p.m. PT (LIVE & VOD)\u00a0| PANEL |\u00a0Register<\/a><\/span><\/strong>
\nHow to Engage an Audience about Human Rights in the Digital Age: New Bloom and Almost<\/strong>
\nwith\u00a0Kassy Cho<\/strong>\u00a0(Journalist),\u00a0Brian Hioe<\/strong>\u00a0(Editor at\u00a0New Bloom<\/em>),\u00a0and\u00a0Chen-Yu Lin<\/strong>\u00a0(Co-curator at Symphony 47)<\/p>\n

This panel explores creative ways to engage global human rights issues through digital media. From the front lines of media, Kassy Cho and Brian Hioe share their journeys of creating the platforms\u00a0New Bloom<\/em>\u00a0and\u00a0Almost<\/em>, as well as their views on global and local human rights advocacy. We will also discover how to connect Taiwan to the rest of the world through conversations about human rights.<\/p>\n","protected":false},"excerpt":{"rendered":"

In partnership with Asiania, we are thrilled and\u00a0honored to invite you to\u00a0Symphony 47, a multi-media\u00a0festival in commemoration of the February 28th Incident\u00a0in Taiwan.\u00a0The festival is available live and on-demand from February 27 to March 13, 2022. Experience musical and\u00a0drama performances\u00a0as well as\u00a0a variety of panels with front-line activists and influencers from across the globe as<\/p>\n

Read more<\/a><\/div>\n","protected":false},"author":666,"featured_media":2094,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[68,10],"tags":[],"class_list":["post-2093","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-culture","category-news","region-taiwan"],"acf":[],"yoast_head":"\n[Feb 27 - Mar 13] SYMPHONY 47: A Multi-Media Human Rights Festival (Live & On-Demand) - Taiwan Studies Program<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/taiwan\/2022\/03\/01\/feb-27-mar-13-symphony-47-a-multi-media-human-rights-festival-live-on-demand\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Feb 27 - Mar 13] SYMPHONY 47: A Multi-Media Human Rights Festival (Live & On-Demand) - Taiwan Studies Program\" \/>\n<meta property=\"og:description\" content=\"In partnership with Asiania, we are thrilled and\u00a0honored to invite you to\u00a0Symphony 47, a multi-media\u00a0festival in commemoration of the February 28th Incident\u00a0in Taiwan.\u00a0The festival is available live and on-demand from February 27 to March 13, 2022. 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