{"id":2432,"date":"2021-06-02T19:26:18","date_gmt":"2021-06-02T19:26:18","guid":{"rendered":"https:\/\/jsis.washington.edu\/latinam\/?p=2432"},"modified":"2021-06-02T19:26:55","modified_gmt":"2021-06-02T19:26:55","slug":"art-migration-and-the-borders-of-the-political-reflections-on-hostile-terrain-94-and-free-them-all-portraits-from-la-resistencia","status":"publish","type":"post","link":"https:\/\/jsis.washington.edu\/latinam\/news\/art-migration-and-the-borders-of-the-political-reflections-on-hostile-terrain-94-and-free-them-all-portraits-from-la-resistencia\/","title":{"rendered":"Art, Migration, and the Borders of the Political: reflections on Hostile Terrain 94 and Free Them All: Portraits from La Resistencia"},"content":{"rendered":"
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EDITORS\u2019 INTRODUCTION<\/p>\n<\/div>\n<\/div>\n

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Free Them All: Portraits from La Resistencia and Hostile Terrain 94 are on view at the Henry Art Gallery as part of Art at the Borders of the Political, a multi- faceted project sponsored by the University of Washington\u2019s Walter Chapin Simpson Center for the Humanities. The project centers the question of how art can effectively shape public engagement with immigration and border policies. During Fall 2020, we invited students enrolled in the project\u2019s associated microseminar, led by Associate Professor Jose Antonio Lucero, to respond in writing to one or both of the installations. The only parameters provided for contributors were design restrictions and a limit of approximately 300 words.<\/p>\n

In this interpretive guide, you\u2019ll find poems, essays, reactions, applications, interpretations, and questions.<\/p>\n<\/div>\n

Continue reading here<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

EDITORS\u2019 INTRODUCTION Free Them All: Portraits from La Resistencia and Hostile Terrain 94 are on view at the Henry Art Gallery as part of Art at the Borders of the Political, a multi- faceted project sponsored by the University of Washington\u2019s Walter Chapin Simpson Center for the Humanities. The project centers the question of how<\/p>\n

Read more<\/a><\/div>\n","protected":false},"author":411,"featured_media":2433,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-2432","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\nArt, Migration, and the Borders of the Political: reflections on Hostile Terrain 94 and Free Them All: Portraits from La Resistencia - Latin America and Caribbean Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/latinam\/news\/art-migration-and-the-borders-of-the-political-reflections-on-hostile-terrain-94-and-free-them-all-portraits-from-la-resistencia\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art, Migration, and the Borders of the Political: reflections on Hostile Terrain 94 and Free Them All: Portraits from La Resistencia - Latin America and Caribbean Studies\" \/>\n<meta property=\"og:description\" content=\"EDITORS\u2019 INTRODUCTION Free Them All: Portraits from La Resistencia and Hostile Terrain 94 are on view at the Henry Art Gallery as part of Art at the Borders of the Political, a multi- faceted project sponsored by the University of Washington\u2019s Walter Chapin Simpson Center for the Humanities. 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