{"id":3078,"date":"2025-04-21T18:22:15","date_gmt":"2025-04-21T18:22:15","guid":{"rendered":"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg"},"modified":"2025-04-21T18:22:45","modified_gmt":"2025-04-21T18:22:45","slug":"dgble8acyciisdehqc4woztx","status":"inherit","type":"attachment","link":"https:\/\/jsis.washington.edu\/korea\/news\/may-12-cinematic-returns-affect-language-and-sexuality-in-the-1990s-and-2000s-with-jinsoo-an-nguyen-tan-hoang-and-ungsan-kim\/dgble8acyciisdehqc4woztx\/","title":{"rendered":"DgBLE8AcYCiiSDeHQC4wOztX"},"author":58,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false},"class_list":["post-3078","attachment","type-attachment","status-inherit","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>DgBLE8AcYCiiSDeHQC4wOztX - Center for Korea Studies<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DgBLE8AcYCiiSDeHQC4wOztX - Center for Korea Studies\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\" \/>\n<meta property=\"og:site_name\" content=\"Center for Korea Studies\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-21T18:22:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"720\" \/>\n\t<meta property=\"og:image:height\" content=\"248\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\",\"url\":\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\",\"name\":\"DgBLE8AcYCiiSDeHQC4wOztX - Center for Korea Studies\",\"isPartOf\":{\"@id\":\"https:\/\/jsis.washington.edu\/korea\/#website\"},\"datePublished\":\"2025-04-21T18:22:15+00:00\",\"dateModified\":\"2025-04-21T18:22:45+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/jsis.washington.edu\/korea\/wp-content\/uploads\/sites\/19\/2025\/04\/DgBLE8AcYCiiSDeHQC4wOztX.jpg#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/jsis.washington.edu\/korea\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"MAY 12 &#8211; Cinematic Returns: Affect, Language, and Sexuality in the 1990s and 2000s with Jinsoo An, Nguy\u1ec5n T\u00e2n Ho\u00e0ng, and Ungsan Kim\",\"item\":\"https:\/\/jsis.washington.edu\/korea\/news\/may-12-cinematic-returns-affect-language-and-sexuality-in-the-1990s-and-2000s-with-jinsoo-an-nguyen-tan-hoang-and-ungsan-kim\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"DgBLE8AcYCiiSDeHQC4wOztX\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/jsis.washington.edu\/korea\/#website\",\"url\":\"https:\/\/jsis.washington.edu\/korea\/\",\"name\":\"Center for Korea Studies\",\"description\":\"Just another The Henry M. 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