{"id":4043,"date":"2022-03-01T18:44:07","date_gmt":"2022-03-01T18:44:07","guid":{"rendered":"https:\/\/jsis.washington.edu\/japan\/?page_id=4043"},"modified":"2022-04-04T17:11:58","modified_gmt":"2022-04-04T17:11:58","slug":"participant-laura-kina","status":"publish","type":"page","link":"https:\/\/jsis.washington.edu\/japan\/okinawa-reversion\/participant-laura-kina\/","title":{"rendered":"Laura Kina"},"content":{"rendered":"<p><em>DePaul University<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-4060\" src=\"https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-225x300.jpg\" alt=\"\" width=\"233\" height=\"311\" srcset=\"https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-225x300.jpg 225w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-768x1022.jpg 768w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-769x1024.jpg 769w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-375x499.jpg 375w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-750x998.jpg 750w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21-1140x1517.jpg 1140w, https:\/\/jsis.washington.edu\/japan\/wp-content\/uploads\/sites\/10\/2022\/03\/LauraKina_headshot_Nov21.jpg 1184w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><\/p>\n<h4><strong>Visualizing Shimanchu Self-Determination<\/strong><\/h4>\n<p>Laura Kina will share her artwork along with works by other contemporary Okinawan and Okinawan diaspora artists to think through issues of Okinawan indigeneity, cultural resurgence around Shimanchu identity, and how the arts can be used as a tool to visualize radical sovereignty and self-determination beyond the confines of the nation-state.<\/p>\n<p><strong><a href=\"https:\/\/las.depaul.edu\/academics\/art-media-and-design\/faculty\/Pages\/laura-kina.aspx\">Laura Kina<\/a><\/strong> is a mixed-race Okinawan American artist-scholar and Vincent de Paul Professor, The Art School, DePaul University. She illustrated Lee A. Tonouchi\u2019s <em>Okinawan Princess: Da Legend of Hajichi Tattoos<\/em>\u00a0(Bess Press, 2019), and co-edited <em>Queering Contemporary Asian American Art<\/em> (University of Washington Press, 2017), and <em>War Baby\/Love Child: Mixed Race Asian American Art<\/em>\u00a0(University of Washington Press, 2013). <a href=\"http:\/\/www.laurakina.com\">www.laurakina.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DePaul University Visualizing Shimanchu Self-Determination Laura Kina will share her artwork along with works by other contemporary Okinawan and Okinawan diaspora artists to think through issues of Okinawan indigeneity, cultural resurgence around Shimanchu identity, and how the arts can be used as a tool to visualize radical sovereignty and self-determination beyond the confines of the<\/p>\n<div><a class=\"more\" href=\"https:\/\/jsis.washington.edu\/japan\/okinawa-reversion\/participant-laura-kina\/\">Read more<\/a><\/div>\n","protected":false},"author":58,"featured_media":4025,"parent":3930,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4043","page","type-page","status-publish","has-post-thumbnail","hentry","region-east-asia","region-japan","research-theme-japan"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - 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