{"id":2873,"date":"2021-04-02T00:17:11","date_gmt":"2021-04-02T00:17:11","guid":{"rendered":"https:\/\/jsis.washington.edu\/eacenter\/?page_id=2873"},"modified":"2021-04-05T20:43:11","modified_gmt":"2021-04-05T20:43:11","slug":"sampson-wong","status":"publish","type":"page","link":"https:\/\/jsis.washington.edu\/eacenter\/scr-2021\/session-4\/sampson-wong\/","title":{"rendered":"Sampson Wong"},"content":{"rendered":"<p style=\"text-align: justify\"><img loading=\"lazy\" decoding=\"async\" class=\"size-half wp-image-2874 aligncenter\" src=\"https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/Sampson-Wong-375x563.jpg\" alt=\"\" width=\"375\" height=\"563\" srcset=\"https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/Sampson-Wong-375x563.jpg 375w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/Sampson-Wong-200x300.jpg 200w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/Sampson-Wong.jpg 640w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><\/p>\n<h2 style=\"text-align: justify\">Bio<\/h2>\n<p style=\"text-align: justify\"><b>Sampson Wong <\/b><span style=\"font-weight: 400\">is a Lecturer for the General Education Foundation Program at the Chinese University of Hong Kong. His academic interests include contemporary urban studies, the production of space in Hong Kong, art, society and the public sphere, and community, neighborhood and crowd creations. Wong holds a BSSc from the Chinese University of Hong Kong, an MSc from University College London,\u00a0 and a Ph.D. from The University of Manchester.<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\"><strong>Full bio:<\/strong> <a href=\"https:\/\/www.oge.cuhk.edu.hk\/index.php\/en\/overview\/staff\/dr-wong-yu-hin-sampson\">https:\/\/www.oge.cuhk.edu.hk\/index.php\/en\/overview\/staff\/dr-wong-yu-hin-sampson<\/a><\/span><\/p>\n<h2 style=\"text-align: justify\">Project Description<\/h2>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2875\" src=\"https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-300x200.jpg 300w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-768x512.jpg 768w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-1024x683.jpg 1024w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-530x353.jpg 530w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-800x534.jpg 800w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-375x250.jpg 375w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-750x500.jpg 750w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables-1140x760.jpg 1140w, https:\/\/jsis.washington.edu\/eacenter\/wp-content\/uploads\/sites\/9\/2021\/04\/les-miserables.jpg 1680w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>This paper will focus on the latest wave of protests demanding democratization in Hong Kong, which arguably started in June 2019 and dissipated after July 2020. The study analyzes how \u2018making use of the urban fabrics\u2019, the streets and open spaces in particular, was integral to how the protests evolved over time and how its repertoires were established.<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\"><br \/>\n<\/span><span style=\"font-weight: 400\">While the \u2018Hong Kong model\u2019 and the \u2018Be Water strategy\u2019 in social movement are now often cited and celebrated, this paper argues that for anyone to make sense of the Hong Kong protests, it is important to make sense of their spatial specificities. Apart from providing an overview of the production of spaces of creative resistance during the protests, the paper will also discuss how the \u2018spatial legacies\u2019 of the protests were still visible in the post-movement urban environment.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bio Sampson Wong is a Lecturer for the General Education Foundation Program at the Chinese University of Hong Kong. His academic interests include contemporary urban studies, the production of space in Hong Kong, art, society and the public sphere, and community, neighborhood and crowd creations. Wong holds a BSSc from the Chinese University of Hong<\/p>\n<div><a class=\"more\" href=\"https:\/\/jsis.washington.edu\/eacenter\/scr-2021\/session-4\/sampson-wong\/\">Read more<\/a><\/div>\n","protected":false},"author":646,"featured_media":2664,"parent":2685,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2873","page","type-page","status-publish","has-post-thumbnail","hentry","research-theme-scr21"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sampson Wong - East Asia Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/eacenter\/scr-2021\/session-4\/sampson-wong\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sampson Wong - East Asia Center\" \/>\n<meta property=\"og:description\" content=\"Bio Sampson Wong is a Lecturer for the General Education Foundation Program at the Chinese University of Hong Kong. His academic interests include contemporary urban studies, the production of space in Hong Kong, art, society and the public sphere, and community, neighborhood and crowd creations. 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