{"id":4826,"date":"2022-04-27T22:22:25","date_gmt":"2022-04-27T22:22:25","guid":{"rendered":"https:\/\/jsis.washington.edu\/seac\/?page_id=4826"},"modified":"2022-05-13T17:03:34","modified_gmt":"2022-05-13T17:03:34","slug":"panelist-bios","status":"publish","type":"page","link":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/","title":{"rendered":"Panelist Bios"},"content":{"rendered":"<h2>Southeast Asia between Art and Anthropology:\u00a0May 5, 2022 5pm-6pm PDT<\/h2>\n<h3>Panelists<\/h3>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4830 size-thumbnail\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg\" alt=\"Writer Sunisa Manning. Speaker for the event Southeast Asia between Art and Anthropology\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-50x50.jpg 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"sunisa\"><\/a>Sunisa Manning<\/strong> was born and raised in Bangkok by Thai and American parents.\u00a0Her first novel,\u00a0A Good True Thai,\u00a0is about young people organizing against a\u00a0dictatorship. It was a\u00a0<a href=\"https:\/\/epigrambookshop.sg\/blogs\/news\/announcing-our-2020-ebfp-shortlisters\">finalist<\/a>\u00a0for the\u00a0<a href=\"https:\/\/www.epigram.sg\/ebfp\">Epigram Books Fiction Prize<\/a>\u00a0for Southeast\u00a0Asian writers. It was published in Southeast Asia in September 2020 and went into\u00a0a second printing in February 2021.<\/p>\n<p>Read an excerpt from Sunisa&#8217;s novel <a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/05\/Sunisa_Manning_SEAxSEA-excerpt.pdf\">A Good True Thai<\/a>, and find more samples of Sunisa&#8217;s writing on <a href=\"https:\/\/www.sunisamanning.com\/writing\">her website<\/a> and in the <a href=\"https:\/\/www.thaienquirer.com\/20196\/a-movement-without-pronouns-and-leaders-is-challenging-thailand-all-the-way-to-the-top\/\">Thai Enquirer<\/a>.<\/p>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thett-april-22.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4828 size-thumbnail\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thett-april-22-150x150.jpg\" alt=\"Poet and translator ko ko thett. Speaker at the event Southeast Asia between Art and Anthropology\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thett-april-22-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thett-april-22-50x50.jpg 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thett-april-22-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"koko\"><\/a>ko ko thett<\/strong> is a poet, poetry translator, and poetry editor for Mekong\u00a0Review.\u00a0thett has published and edited several collections of poetry and\u00a0translations in both Burmese and English. His poems are widely translated and\u00a0anthologized. His translation work has been recognised with an English PEN\u00a0award. thett\u2019s most recent poetry collection is Bamboophobia (Zephyr Press,\u00a02022). He lives in Norwich, UK.<\/p>\n<p>Read samples of <a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/ko-ko-thetts-poetry.pdf\">his poetry<\/a>.<\/p>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose-.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4831 size-thumbnail\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--150x150.jpg\" alt=\"Writer Tiffany Tsao. Speaker at the event Southeast Asia between Art and Anthropology\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--300x300.jpg 300w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--768x768.jpg 768w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--1024x1024.jpg 1024w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--375x375.jpg 375w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--750x750.jpg 750w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--1140x1140.jpg 1140w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsao-credit-Leah-Diprose--50x50.jpg 50w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"tiffany\"><\/a>Tiffany Tsao<\/strong> is a writer and literary translator of Chinese Indonesian descent. She\u00a0is the author of three novels, the most recent of which is\u00a0The Majesties. She has\u00a0translated five book-length works, the latest being Budi Darma&#8217;s\u00a0People From\u00a0Bloomington. Her translations of Norman Erikson Pasaribu&#8217;s writing have been\u00a0longlisted for the International Booker Prize and shortlisted for NSW Premier&#8217;s\u00a0Translation Prize and the Republic of Consciousness Prize for Small Presses.\u00a0Photo by Leah Diprose<\/p>\n<p>Read samples of her <a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Tiffany-Tsaos-writing.pdf\">writing and translation<\/a>.<br \/>\n<a name=\"nazry\"><\/a><\/p>\n<h3>Moderator<\/h3>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4829 size-thumbnail\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-150x150.jpg\" alt=\"Assistant Professor Nazry Bahrawi. Moderator of literature panel Southeast Asia between Art and Anthropology\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-300x300.jpg 300w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-768x768.jpg 768w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-1024x1024.jpg 1024w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-375x375.jpg 375w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-750x750.jpg 750w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-1140x1140.jpg 1140w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3-50x50.jpg 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Nazry-new-3.jpg 1600w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Nazry Bahrawi <\/strong>is assistant professor of Southeast Asian literature and culture at\u00a0the University of Washington. He is a critic and translator and most recently\u00a0editor of Singa-Pura-Pura: Malay Speculative Fiction from Singapore (Ethos Books,\u00a02021). Nazry is an editor-at-large at Wasafiri magazine and the essay &amp; research\u00a0editor for the Journal of Practice, Research and Tangential Activities (PR&amp;TA).<\/p>\n<p>Read Professor Bahrawi&#8217;s <a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Tujuh-Nazry-Bahrawi.pdf\">Tujuh<\/a> and <a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/The-Colonial-Art-of-Telling-Tales-200-Years-of-Singapore-and-the-UK-ST-Press-2019.pdf\">The Colonial Art of Telling Tales<\/a>.<\/p>\n<hr \/>\n<p><a name=\"creative-practice\"><\/a><\/p>\n<h2>How Southeast Asia imagines itself in Creative Practice:\u00a0May 13, 2022 5pm-6pm PDT<\/h2>\n<h3>Panelists<\/h3>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/wahid_bio-photo-2020-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-4849\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/wahid_bio-photo-2020-2-150x150.jpg\" alt=\"Wahid Al Mamun. Speaker on the panel How Southeast Asia imagines itself in Creative Practice\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/wahid_bio-photo-2020-2-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/wahid_bio-photo-2020-2-50x50.jpg 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/wahid_bio-photo-2020-2-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"wahid\"><\/a>Wahid Al Mamun<\/strong> is a Singaporean poet studying anthropology at the University of Chicago. Wahid&#8217;s poetry is concerned with the intersections of family, migration, and intimacy. He has featured in writers&#8217; festivals in Singapore and Melbourne, and his works and translations have appeared in Cordite, PR&amp;TA Journal, QLRS, and Food Republic. Notably, Wahid hates string cheese.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Jen_Ishisaka-40563MB.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-4846\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Jen_Ishisaka-40563MB-150x150.jpg\" alt=\"Jen Soriano. Speaker on the panel How Southeast Asia imagines itself in Creative Practice\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Jen_Ishisaka-40563MB-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Jen_Ishisaka-40563MB-50x50.jpg 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Jen_Ishisaka-40563MB-300x300.jpg 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"jen\"><\/a>Jen Soriano<\/strong> is a nonbinary Filipinx-American writer, independent scholar, and social movement strategist based in Seattle, WA. She is the author of the chapbook of lyric essays and prose poems \u201cMaking the Tongue Dry\u201d and a full-length collection of essays forthcoming from Amistad Books in 2023. Jen writes about mental health, colonialism, and social justice issues at large, and strives to share marginalized experiences and perspectives through an artistic lens.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/sharminiaphroditepic71.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-4848\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/sharminiaphroditepic71-150x150.png\" alt=\"Sharmini Aphrodite. Speaker on the panel How Southeast Asia imagines itself in Creative Practice\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/sharminiaphroditepic71-150x150.png 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/sharminiaphroditepic71-50x50.png 50w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/sharminiaphroditepic71-300x300.png 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a name=\"sharmini\"><\/a>Sharmini\u00a0Aphrodite<\/strong> was born in Kota Kinabalu and raised between the cities of Johor Bahru and Singapore. Her short fiction has been shortlisted for the Commonwealth Short Story Prize and placed on the Australian Book Review Jolley Prize. Her essays on art, literature and history can be found online. She is the Submissions Editor for\u00a0Smokelong Quarterly\u00a0and the Fiction Editor for the literary journal SUSPECT.<br \/>\n<a name=\"marc\"><\/a><\/p>\n<h3>Moderator<\/h3>\n<p><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-4847\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-150x150.jpg\" alt=\"Marc Nair. Moderator of the panel How Southeast Asia imagines itself in Creative Practice\" width=\"150\" height=\"150\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-150x150.jpg 150w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-300x300.jpg 300w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768.jpg 768w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-375x375.jpg 375w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-750x750.jpg 750w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/Marc-Nair-2022-768x768-50x50.jpg 50w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Marc Nair\u00a0<\/strong>is a poet and photographer from Singapore.\u00a0His works bear witness to beauty, truth and hope.\u00a0He has published and edited twelve books of poetry and is the co-founder and principal photographer of <a href=\"http:\/\/www.mackerel.life\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mackerel<\/a>, an online culture magazine. He is a recipient of the 2016 Young Artist Award.\u00a0His latest collection is Sightlines (2019, Math Paper Press), a collaboration of travel photography and poetry with Tay Tsen-Waye, a film photographer.\u00a0Marc holds a PhD from RMIT University.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Southeast Asia between Art and Anthropology:\u00a0May 5, 2022 5pm-6pm PDT Panelists Sunisa Manning was born and raised in Bangkok by Thai and American parents.\u00a0Her first novel,\u00a0A Good True Thai,\u00a0is about young people organizing against a\u00a0dictatorship. It was a\u00a0finalist\u00a0for the\u00a0Epigram Books Fiction Prize\u00a0for Southeast\u00a0Asian writers. It was published in Southeast Asia in September 2020 and went<\/p>\n<div><a class=\"more\" href=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\">Read more<\/a><\/div>\n","protected":false},"author":561,"featured_media":0,"parent":4769,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4826","page","type-page","status-publish","hentry","research-theme-arts","research-theme-literature","research-theme-southeast-asia"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Panelist Bios - Center for Southeast Asia and its Diasporas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panelist Bios - Center for Southeast Asia and its Diasporas\" \/>\n<meta property=\"og:description\" content=\"Southeast Asia between Art and Anthropology:\u00a0May 5, 2022 5pm-6pm PDT Panelists Sunisa Manning was born and raised in Bangkok by Thai and American parents.\u00a0Her first novel,\u00a0A Good True Thai,\u00a0is about young people organizing against a\u00a0dictatorship. It was a\u00a0finalist\u00a0for the\u00a0Epigram Books Fiction Prize\u00a0for Southeast\u00a0Asian writers. It was published in Southeast Asia in September 2020 and went\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\" \/>\n<meta property=\"og:site_name\" content=\"Center for Southeast Asia and its Diasporas\" \/>\n<meta property=\"article:modified_time\" content=\"2022-05-13T17:03:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\",\"url\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\",\"name\":\"Panelist Bios - Center for Southeast Asia and its Diasporas\",\"isPartOf\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg\",\"datePublished\":\"2022-04-27T22:22:25+00:00\",\"dateModified\":\"2022-05-13T17:03:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage\",\"url\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg\",\"contentUrl\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SEAxSEA Film Festival\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"2022 Edition\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Literary Panels\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/\"},{\"@type\":\"ListItem\",\"position\":5,\"name\":\"Panelist Bios\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/#website\",\"url\":\"https:\/\/jsis.washington.edu\/csead\/\",\"name\":\"Center for Southeast Asia and its Diasporas\",\"description\":\"Just another The Henry M. Jackson School of International Studies Sites site\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/jsis.washington.edu\/csead\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Panelist Bios - Center for Southeast Asia and its Diasporas","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/","og_locale":"en_US","og_type":"article","og_title":"Panelist Bios - Center for Southeast Asia and its Diasporas","og_description":"Southeast Asia between Art and Anthropology:\u00a0May 5, 2022 5pm-6pm PDT Panelists Sunisa Manning was born and raised in Bangkok by Thai and American parents.\u00a0Her first novel,\u00a0A Good True Thai,\u00a0is about young people organizing against a\u00a0dictatorship. It was a\u00a0finalist\u00a0for the\u00a0Epigram Books Fiction Prize\u00a0for Southeast\u00a0Asian writers. It was published in Southeast Asia in September 2020 and went","og_url":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/","og_site_name":"Center for Southeast Asia and its Diasporas","article_modified_time":"2022-05-13T17:03:34+00:00","og_image":[{"url":"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg","type":"","width":"","height":""}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/","url":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/","name":"Panelist Bios - Center for Southeast Asia and its Diasporas","isPartOf":{"@id":"https:\/\/jsis.washington.edu\/csead\/#website"},"primaryImageOfPage":{"@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage"},"image":{"@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage"},"thumbnailUrl":"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg","datePublished":"2022-04-27T22:22:25+00:00","dateModified":"2022-05-13T17:03:34+00:00","breadcrumb":{"@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#primaryimage","url":"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg","contentUrl":"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/Sunisa-150x150.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/panelist-bios\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/jsis.washington.edu\/csead\/"},{"@type":"ListItem","position":2,"name":"SEAxSEA Film Festival","item":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/"},{"@type":"ListItem","position":3,"name":"2022 Edition","item":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/"},{"@type":"ListItem","position":4,"name":"Literary Panels","item":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/literary-panels\/"},{"@type":"ListItem","position":5,"name":"Panelist Bios"}]},{"@type":"WebSite","@id":"https:\/\/jsis.washington.edu\/csead\/#website","url":"https:\/\/jsis.washington.edu\/csead\/","name":"Center for Southeast Asia and its Diasporas","description":"Just another The Henry M. Jackson School of International Studies Sites site","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/jsis.washington.edu\/csead\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"}]}},"_links":{"self":[{"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/pages\/4826","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/users\/561"}],"replies":[{"embeddable":true,"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/comments?post=4826"}],"version-history":[{"count":10,"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/pages\/4826\/revisions"}],"predecessor-version":[{"id":4960,"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/pages\/4826\/revisions\/4960"}],"up":[{"embeddable":true,"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/pages\/4769"}],"wp:attachment":[{"href":"https:\/\/jsis.washington.edu\/csead\/wp-json\/wp\/v2\/media?parent=4826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}