<\/p>\n
\n“My real name has too much noise and homosocial magic,\u00a0and I don\u2019t even have a punk approach to truth or running.\u00a0The table is moral, but the fable is not.”<\/p>\n
–Zhou Sivan, Zero Copula<\/p>\n<\/blockquote>\n
Vincent Ternida (Philippines-Canada)<\/strong>
\nProse: Ternida, Vincent. The Seven Muses of Harry Salcedo<\/a>.<\/em> Dark Helix Press. (2019)<\/p>\nShawn Hoo (Singapore)<\/strong>
\nPoetry: Deferred Sayings for Future Occasions<\/a>.<\/em>\u00a0OF ZOOS, 2019.<\/p>\nZhou Sivan (Malaysia)<\/strong>
\nChapbook:\u00a0Zero Copula<\/a><\/em>. Delete Press. 2015.<\/p>\nLawdenmarc Decamora (Philippines)<\/strong>
\nPoetry: Decamora, Lawdenmarc. f\u026al\u026a\u02ccpi\u02d0nz<\/em>. Mantis: A Journal of Poetry, Criticism, and Translation.\u00a0(Stanford University), Issue 20. 2022.<\/p>\nMegan Wonowidjoyo (Singapore)<\/strong>
\nShort Film: Woman at Home<\/a><\/em>. 2017.<\/p>\nLandfalls and Landforms<\/strong><\/h3>\n
\n\u201cThe first location our vessel will be visiting is the South Banda Basin in Indonesia, a country well-known for the rich coral reefs its archipelago hosts, and for many, a poignant symbol of the wonders of\u00a0the underwater world. This burial ship bearing the legacies of eighty of our clients was sunken only eight\u00a0months ago, and is still in the first phase of abyssal burial.\u201d<\/p>\n
\u2013Choo Yi Feng, \u201cAn Investor’s Guide to\u00a0Abyssal Burial\u201d<\/p>\n<\/blockquote>\n
Vincent Ternida (Philippines-Canada)<\/strong>
\nTernida, Vincent. Contempt<\/em>. Voice and Verse Poetry Magazine Issue 56.
\nTernida, Vincent. Frostbite<\/em>. Voice and Verse Poetry Magazine Issue 56.
\nFeatured in Voice and Verse Poetry Magazine Issue 56<\/a><\/p>\nChoo Yi Feng (Singapore)<\/strong>
\nShort Story: An Investor’s Guide to Abyssal Burial<\/a><\/em>. Alluvium, the journal of Literary Shanghai. 2021
\nShort Story:\u00a0Plastic Bag Girl<\/a><\/i>. Anathema: Spec from the Margins. 2022.<\/p>\nShawn Hoo<\/a> (Singapore)<\/strong>
\nChapbook: Of the Florids<\/em>. Diode Editions, forthcoming July 2022.<\/p>\nZhou Hau Liew (Malaysia)<\/strong>
\nEssay: Old Goats, New Villages<\/a><\/em>, Asian American Writers’ Workshop, 2017.<\/p>\nCheng Tim Tim (Hong Kong)<\/strong>
\nPoetry: The Sand I Stand On is Not My Own<\/em><\/a>. berfrois.com. 2021.
\nPoetry: Lantau (Rotten Head). The Tiger Moth Review. Issue 7<\/a>. 2022.<\/p>\nMany-Tongued Histories<\/strong><\/h3>\n
\n\u201cStill other words \u2013 like alternative, ethnicity, hyphenated, identity, other, indeed the number of\u00a0words preceded by post \u2013 from the vocabulary of what are already traditions of discursive radicalism,\u00a0so politically correct, so \u00e0 la mode, are nonetheless signifiers with unstable signifieds, here, in for\u00a0instance this m\u00eal\u00e9e, outside academic confines. The mythologies passionately being crafted out of\u00a0mixtures of histories and desires and angers, are not quite \u2013 or not yet \u2013 coalescing into a palpability,\u00a0indeed into liberation.\u00a0And perhaps we do not wish such a coalescing, because once again, another omnipotent\u00a0canon will propose enslavement.\u201d<\/p>\n
— Marian Pastor Roces, \u201cWords\u201d<\/p>\n<\/blockquote>\n
Hamid Roslan (Singapore)<\/strong>
\nPoetry: Roslan, Hamid. parsetreeforestfire<\/em><\/a>. Ethos Books. 2019.<\/p>\nChoo Yi Feng\u00a0(Singapore)<\/strong>
\nShort Story:\u00a0Parlour<\/em>. Curios Issue 6, National University of Singapore. 2020<\/p>\nElaine Chiew (Singapore)<\/strong>
\nBook: Chiew, Elaine. The Heartsick Diaspora<\/em>. Myriad Editions, 2020; Penguin SEA 2019.
\nShort Story: Chiew, Elaine, ed. Cooked Up: Food Fiction From Around the World<\/em>. New Internationalist,\u00a02015.<\/p>\nMarian Pastor Roces (Philippines)<\/strong>
\nEssay: \u201cWords<\/a>.\u201d Asia-pacific triennial of contemporary art<\/em>: Eyeline 22\/23 (Summer,1993): 45-48.<\/p>\nZhou Hau Liew (Malaysia)<\/strong>
\nShort Story: Ainna<\/em><\/a>, Asian American Writers’ Workshop, August 2020.<\/p>\nLawdenmarc Decamora (Philippines)<\/strong>
\nArticle: Philippine Literatures in a Derridean Sense: A Problem of (Re)versing the Region?<\/em><\/a>. Kyoto\u00a0Review of Southeast Asia (Kyoto University), Issue 30, March 2021.<\/p>\nMegan Wonowidjoyo (Singapore)<\/strong>
\nShort Film: Blue Shoes<\/em><\/a>. 2022.<\/p>\n","protected":false},"excerpt":{"rendered":"SEA x SEA Festival Reading List PR&TA Journal Contributors Portrait of an Artist “My real name has too much noise and homosocial magic,\u00a0and I don\u2019t even have a punk approach to truth or running.\u00a0The table is moral, but the fable is not.” –Zhou Sivan, Zero Copula Vincent Ternida (Philippines-Canada) Prose: Ternida, Vincent. The Seven<\/p>\n