{"id":4718,"date":"2022-04-20T21:28:43","date_gmt":"2022-04-20T21:28:43","guid":{"rendered":"https:\/\/jsis.washington.edu\/seac\/?page_id=4718"},"modified":"2022-06-15T16:43:08","modified_gmt":"2022-06-15T16:43:08","slug":"2022-edition","status":"publish","type":"page","link":"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/","title":{"rendered":"2022 Edition"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-4720\" src=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg\" alt=\"\" width=\"1024\" height=\"663\" srcset=\"https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg 1024w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-300x194.jpg 300w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-768x497.jpg 768w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-375x243.jpg 375w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-750x485.jpg 750w, https:\/\/jsis.washington.edu\/csead\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1140x738.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400\">How do we see? How are we seen? Southeast Asia has often been subjected to regimes of seeing and knowing, but filmmakers from the region and its diasporas are creating and sharing their own ways of looking back at themselves and at Southeast Asia. This year, at the SEAxSEA Film &amp; Literature Festival, these storytellers are sharing their own perspectives, demonstrating how the act of seeing can also be an act of resisting.<\/span><\/p>\n<p><a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLScQX-QeWqLdTIqlgU5iIkmLSbAuQqVENeng7lUlNzZK1iPGIQ\/viewform\">Register for access to the films<\/a><\/p>\n<p>LITERARY EVENTS (registration required):<\/p>\n<p><strong><a href=\"https:\/\/washington.zoom.us\/meeting\/register\/tJcqf-uvpzkqGdcNV85U9n_f_aDNUWWru-5N\">Southeast Asia between Art and Anthropology<\/a>:\u00a0<\/strong>May 5, 2022 5pm-6pm PDT<\/p>\n<p><strong><a href=\"https:\/\/washington.zoom.us\/meeting\/register\/tJUpd-6tqz0iE9PK9oqtZW9aG8Kr8v0Rzocp\">How Southeast Asia imagines itself in Creative Practice<\/a>:\u00a0<\/strong>May 13, 2022 5pm-6pm PDT<\/p>\n<p>In-person screening &#8211; <a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/merdeka\/\">Merdeka<\/a>: May 11, 2022 2pm PDT, Thomson Hall 317, UW Seattle<\/p>\n<p>FILM LINEUP:<\/p>\n<ul>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#30x3\"><b>30 x 3 virgin remy: $200 OBO<\/b><span style=\"font-weight: 400\"> (United States, 10 min) by <em>Sarah Nguy\u1ec5n<\/em><\/span><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#closer\"><b>A Little Closer<\/b><span style=\"font-weight: 400\"> (Singapore, 15 min) by<\/span><i><span style=\"font-weight: 400\"> Cheryl Mong<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#aboutus\"><b>\u0e40\u0e23\u0e37\u0e48\u0e2d\u0e07\u0e02\u0e2d\u0e07\u0e40\u0e23\u0e32<\/b><span style=\"font-weight: 400\"> (About Us, Thailand, 19 min) by<\/span><i><span style=\"font-weight: 400\"> Chanintorn Pensute<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#lawyer\"><b>Access To Justice: Stories From A Pro Bono Lawyer<\/b><span style=\"font-weight: 400\"> (Singapore, 5 min) by<\/span> <i><span style=\"font-weight: 400\">Amrit Kaur Jastol<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#bronze\"><b>All That Glitters is Bronze<\/b><span style=\"font-weight: 400\"> (United States, 8 min) by<\/span><i><span style=\"font-weight: 400\"> Jinji Sayson<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#affair\"><b>An Affair in One February Morning<\/b><span style=\"font-weight: 400\"> (Myanmar, 8 min)<\/span><i><span style=\"font-weight: 400\"> by Anonymous<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#dreams\"><b>Mimpi Besar Di Balik Layar Kecil<\/b><span style=\"font-weight: 400\"> (Big Dreams Underneath The Little Screens, Indonesia, 10 min) by<\/span><i><span style=\"font-weight: 400\"> Rininta Ayurianti<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#horizon\"><b>The Blank Horizon<\/b><span style=\"font-weight: 400\"> (Indonesia, 18 min) by<\/span><i><span style=\"font-weight: 400\"> Pekik Wenang<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#boats\"><b>Sa Layag ng Bangkang Paurong<\/b><span style=\"font-weight: 400\"> (The Boats that Sail Backwards, Philippines, 15 min) by<\/span><i><span style=\"font-weight: 400\"> Mark Giddel Liwanag<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#fashion\"><b>Cipinang Fashion Week<\/b><span style=\"font-weight: 400\"> (Indonesia, 4 min) by<\/span><i><span style=\"font-weight: 400\"> Vandy Woo<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#lotus\"><b>Desert Lotus<\/b><span style=\"font-weight: 400\"> (United States, 4 min) by<\/span><i><span style=\"font-weight: 400\"> Lava Buckley<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#fabric\"><b>The Future is Fabric<\/b><span style=\"font-weight: 400\"> (Australia, 4 min) by <\/span><i><span style=\"font-weight: 400\">Julia Martin<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#haya\"><b>Haya<\/b><span style=\"font-weight: 400\"> (Lithuania, 12 min) by<\/span><i><span style=\"font-weight: 400\"> Ugn\u0117 Alaburdait\u0117<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#homebound\"><b>Homebound<\/b><span style=\"font-weight: 400\"> (Indonesia, 17 min) by<\/span><i><span style=\"font-weight: 400\"> Ismail Fahmi Lubis<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#interference\"><b>Interference<\/b><span style=\"font-weight: 400\"> (Thailand, 8 min) by<\/span><i><span style=\"font-weight: 400\"> Methas Chanthawongs<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#bridge\"><b>Journey Across The Bridge<\/b><span style=\"font-weight: 400\"> (United States, 2 min) by <\/span><i><span style=\"font-weight: 400\">Stefie Gan<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#kemanten\"><b>Kemanten<\/b><span style=\"font-weight: 400\"> (Into The Happiness, Indonesia, 15 min) by<\/span><i><span style=\"font-weight: 400\"> Imam Syafii<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#mangrove\"><b>Anak Bakau Terakhir<\/b><span style=\"font-weight: 400\"> (The Last Mangrove Seed, Malaysia, 9 min) by <\/span><i><span style=\"font-weight: 400\">Rayhan Ahmad<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#layla\"><b>Kasih Sayang Untuk Layla<\/b><span style=\"font-weight: 400\"> (Love For Layla, Singapore, 15 min) by <\/span><i><span style=\"font-weight: 400\">Nur Munawarah Hussain<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#lovelaugh\"><b>Love, Laugh, Doom, Tears<\/b><span style=\"font-weight: 400\"> (United States, 25 min) by<\/span><i><span style=\"font-weight: 400\"> Nhung Thi Cam Nguyen<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#monster\"><b>Ang Amomonggo sa Aton<\/b><span style=\"font-weight: 400\"> (The Monster Among Us, Philippines, 16 min) by<\/span><i><span style=\"font-weight: 400\"> VinJo Entuna<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#clouded\"><b>My Clouded Mind<\/b><span style=\"font-weight: 400\"> (Indonesia, 10 min) by<\/span><i><span style=\"font-weight: 400\"> Annisa Adjam<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#omnibus\"><b>Omnibus Law<\/b><span style=\"font-weight: 400\"> (Indonesia, 20 min) by <\/span><i><span style=\"font-weight: 400\">Achmad Rezi Fahlevie<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#orphee\"><b>Orph\u00e9e &amp; Eurydice<\/b><span style=\"font-weight: 400\"> (Belgium, 5 min) by<\/span><i><span style=\"font-weight: 400\"> Garance Giang Giang Vo<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#partitions\"><b>partitions<\/b><span style=\"font-weight: 400\"> (Singapore, 16 min) by<\/span><i><span style=\"font-weight: 400\"> Vishal Daryanomel<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#pillar\"><b>The Pillar Of Strength<\/b><span style=\"font-weight: 400\"> (Malaysia, 8 min) by<\/span><i><span style=\"font-weight: 400\"> Ayie Ibrahim<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#seeus\"><b>Please&#8230;See Us<\/b><span style=\"font-weight: 400\"> (Thailand, 28 min) by <\/span><i><span style=\"font-weight: 400\">Chaweng Chaiyawan<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#wombs\"><b>Seeking Wombs for Rebirths<\/b><span style=\"font-weight: 400\"> (Myanmar, 25 min) by <\/span><i><span style=\"font-weight: 400\">Lin Htet Aung<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#sounds\"><b>\u0e40\u0e2a\u0e35\u0e22\u0e07\u0e01\u0e25\u0e32\u0e07\u0e19\u0e32<\/b><span style=\"font-weight: 400\"> (Sounds of the Field, Thailand, 12 min) by<\/span><i><span style=\"font-weight: 400\"> Phapop Saengkong<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#document\"><b>There To Document: A Decade of FreedomFilmFest<\/b><span style=\"font-weight: 400\"><strong>\u00a0in Singapore<\/strong> (Singapore, 27 min) by<\/span><i><span style=\"font-weight: 400\"> Celeste Tan<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#tito\"><b>Tito<\/b><span style=\"font-weight: 400\"> (United States, 4 min) by<\/span><i><span style=\"font-weight: 400\"> Arsenio Salvante<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#trails\"><b>Trails<\/b><span style=\"font-weight: 400\"> (United States, 6 min) by<\/span><i><span style=\"font-weight: 400\"> Chris Nguyen<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#vince\"><b>Vince<\/b><span style=\"font-weight: 400\"> (Finland, 4 min) by <\/span><i><span style=\"font-weight: 400\">Jacob Nguyen<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#wawan\"><b>Wawan&#8217;s Prayer<\/b><span style=\"font-weight: 400\"> (Indonesia, 23 min) by <\/span><i><span style=\"font-weight: 400\">Robert Lemelson, Chisako Yokoyama<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#wfh\"><b>WFH<\/b><span style=\"font-weight: 400\"> (Indonesia, 3 min) by<\/span><i><span style=\"font-weight: 400\"> Azalia Muchransyah<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#canttake\"><b>What You can\u2019t Take with You<\/b><span style=\"font-weight: 400\"> (Canada, 2 min) by<\/span><i><span style=\"font-weight: 400\"> Shirley Camia<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#nopeople\"><b>Where There Are No People<\/b><span style=\"font-weight: 400\"> (Philippines, 8 min) by<\/span><i><span style=\"font-weight: 400\"> Lyka Calingasan<\/span><\/i><\/a><\/li>\n<li><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#rabbit\"><b>Year of the Rabbit<\/b><span style=\"font-weight: 400\"> (Cambodia, 12 min) by <\/span><i><span style=\"font-weight: 400\">Akira Morita<\/span><\/i><\/a><\/li>\n<li><strong><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#pages\">Neltah <\/a><\/strong><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#pages\">(The Missing Pages, Malaysia, 6 min) by <\/a><a href=\"https:\/\/jsis.washington.edu\/seac\/seaxsea-filmfest\/2022-edition\/film-program\/#pages\"><em>Thiyagaraja Marimuthu<\/em><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; How do we see? How are we seen? Southeast Asia has often been subjected to regimes of seeing and knowing, but filmmakers from the region and its diasporas are creating and sharing their own ways of looking back at themselves and at Southeast Asia. This year, at the SEAxSEA Film &amp; Literature Festival, these<\/p>\n<div><a class=\"more\" href=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\">Read more<\/a><\/div>\n","protected":false},"author":676,"featured_media":0,"parent":2603,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4718","page","type-page","status-publish","hentry","region-southeast-asia","research-theme-arts","research-theme-southeast-asia","research-theme-visual-arts"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>2022 Edition - Center for Southeast Asia and its Diasporas<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2022 Edition - Center for Southeast Asia and its Diasporas\" \/>\n<meta property=\"og:description\" content=\"&nbsp; How do we see? How are we seen? Southeast Asia has often been subjected to regimes of seeing and knowing, but filmmakers from the region and its diasporas are creating and sharing their own ways of looking back at themselves and at Southeast Asia. This year, at the SEAxSEA Film &amp; Literature Festival, these\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\" \/>\n<meta property=\"og:site_name\" content=\"Center for Southeast Asia and its Diasporas\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-15T16:43:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\",\"url\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\",\"name\":\"2022 Edition - Center for Southeast Asia and its Diasporas\",\"isPartOf\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg\",\"datePublished\":\"2022-04-20T21:28:43+00:00\",\"dateModified\":\"2022-06-15T16:43:08+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/#primaryimage\",\"url\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg\",\"contentUrl\":\"https:\/\/jsis.washington.edu\/seac\/wp-content\/uploads\/sites\/7\/2022\/04\/SEAxSEA-flyer-image-1024x663.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/2022-edition\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SEAxSEA Film Festival\",\"item\":\"https:\/\/jsis.washington.edu\/csead\/seaxsea-filmfest\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"2022 Edition\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/jsis.washington.edu\/csead\/#website\",\"url\":\"https:\/\/jsis.washington.edu\/csead\/\",\"name\":\"Center for Southeast Asia and its Diasporas\",\"description\":\"Just another The Henry M. 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