By Natalie Debray<\/i><\/p>\n
Above: Students from Natalie Debray’s course; from left, back row: Carrie Dulisse, Eileen Schoener, Irina Safaryan, Bryden McGrath, and Ashika Chand (front)<\/i><\/p>\n
Although the Qu\u00e9bec film,\u00a0Barbarians Invasions,<\/i>\u00a0won an Oscar for Best Foreign Film in 2004, few Americans have seen it. In fact, many are unaware that a thriving film industry exists north of the border in the 6 million strong francophone province of Qu\u00e9bec.<\/p>\n
When given the opportunity to develop a special topics course I did not have to look far for inspiration. Creating\u00a0COM 495 (Film, Culture, and Society)<\/i>\u00a0was a risky proposition. In the class description I left out the fact that all films we would view would be in French\u2014and from Qu\u00e9bec. Most students have very little knowledge of Canada and even less of the French-speaking province of Qu\u00e9bec. Since the class is not listed as a film class or a language class per se, it would have scared off quite a number of students.<\/p>\n As it turns out there were a few skeptical faces in the crowd on the first day of class this quarter. \u201cBut, I don\u2019t speak French\u2019! \u201cA foreign film?\u201d I am confident that quite a few of the 41 students in the class wanted out after week one. But I urged them to stay and embark on this journey\u2014reassured them that they would be fine. And they were better than fine. Their enthusiasm and passion for the topic blossomed over the ten week course and surpassed even my own lofty expectations.<\/p>\n This class introduced the students to Qu\u00e9bec and its unique, critically acclaimed, and prolific film industry. Along the way they learned even more about themselves. As a contextual course we focused on what makes Qu\u00e9bec society distinct by examining the themes inherent in Qu\u00e9bec film that shed light on our understanding of the people, history, and culture.<\/p>\n Each Monday a different topical area was discussed through lecture and readings including French and English language issues, aboriginal peoples, the decline of religion, and the sovereignty movement. On Wednesdays we watched a film which explored these various issues. After each viewing the students had to post a 2-3 page reflection on the course message board and comment on at least two of their classmate\u2019s postings.<\/p>\n This exercise was intimidating at first due to its public nature. However, with each passing week the students opened up a little bit more and began looking forward to the opinions and musings of their colleagues. At times spirited debates ensued revealing the subjective nature of the film viewing experience. It was truly exciting to witness the learning, growth and camaraderie taking place in this forum.<\/p>\n Our first film,\u00a0Le Chat dans le Sac<\/i>\u00a0(1964) is an artistic and probing look at a nascent Qu\u00e9bec in the throes of the Quiet Revolution. Shot in black and white, this film gave insight into 1960s Montreal and for many in the class was the first foreign film experience! Some had difficulty watching this film without comparing it to the fast-paced Hollywood fare to which we are accustomed.<\/p>\n Students honed their film analysis skills over the course of the quarter becoming less ethnocentric with each passing week. We moved through the decades watching films by renowned directors, Denys Arcand, Robert Lepage, and Claude Jutra. A highlight of the course was watching the hockey biopic\u00a0Maurice Richard: the Rocket<\/i>\u00a0(2005). Although a film showcasing the talents of one of the greatest hockey players of all time, it also revealed the linguistic discrimination faced by many French Canadians better than any textbook or lecture could. Coincidentally we watched this film on the same day that the Montreal Canadiens played in the NHL finals. The excitement was palpable on the message board as the students robustly cheered on their newly adopted team!<\/p>\n Although the course focused on Qu\u00e9bec as a case study, many of the topics including minority culture, post-colonialism, and globalization can be broadly applied. For their final project student teams explored a national film industry and presented their findings to the class. Some of the industries showcase included the films of India (Bollywood), Nollywood (Nigeria), Hong Kong and (English) Canada. The diverse projects showcased the student\u2019s ability to critically analyze and discuss foreign films in their unique historical and cultural context.<\/p>\n Students came away from this course not only more aware of their neighbors to the north, but also newly minted foreign film aficionados, keenly interested in learning about other cultures. So, while for many Hollywood reigns supreme in the global marketplace, the students in COM 495 learned that a rival is in their own backyard.<\/p>\n Student Comments:<\/b><\/p>\n \u201cNow I have the satisfaction of knowing a bit about the history and culture of this diverse region of Canada and I have already been able to apply this knowledge outside of class in different social settings. I have to admit that I am now whole heartedly intrigued with Qu\u00e9bec and hope to someday visit and see for myself the culture of the Qu\u00e9b\u00e9cois.\u201d<\/i><\/p>\n \u201cI have learned so much by being open and putting myself in another culture\u2019s shoes. What a gift!\u201d<\/i><\/p>\n \u201cI have come out of this class as a changed person. It is not only in the way I now watch movies, identifying themes and such, but also in the way I see people. There is so much to be learned from other cultures or backgrounds that having an open eye and mind to different experiences, ways of life, and beliefs\/opinions are now a part of me like a gift or blessing that I am truly grateful for.\u201d<\/i><\/p>\n Natalie Debray is a lecturer in the Department of Communication at the University of Washington.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":" By Natalie Debray Above: Students from Natalie Debray’s course; from left, back row: Carrie Dulisse, Eileen Schoener, Irina Safaryan, Bryden McGrath, and Ashika Chand (front) Although the Qu\u00e9bec film,\u00a0Barbarians Invasions,\u00a0won an Oscar for Best Foreign Film in 2004, few Americans have seen it. In fact, many are unaware that a thriving film industry exists north<\/p>\n\n\n
\n \u201cI sure am glad I stuck around because this class turned out to be a real gem in my university experience.\u201d \u2014(comment from COM 495 message board)<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n \u201cI feel like I got on a ride that seemed like a good time from afar, but I wasn’t really sure, and by the end I had become more aware of my peers, of myself, and, of course, of the history of Qu\u00e9bec and its incomparable cinematic contributions. We were all smashed up against one another, and, frankly, I didn’t mind it.\u201d\u2014Josh Williams<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n \u201cI knew very little about Canada prior to taking this course, and it has been amazing to learn and appreciate reflections of Qu\u00e9bec history and identity through the medium of film. I developed greater critical thinking skills and understanding for not just Canadian films, but the cultural expression through films overall.\u201d\u2014Kate Clements<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n