{"version":"1.0","provider_name":"Canadian Studies Center","provider_url":"https:\/\/jsis.washington.edu\/canada","author_name":"Marion Ferguson","author_url":"https:\/\/jsis.washington.edu\/canada\/news\/author\/marionf2\/","title":"First Nations art, resistance and governance in Canada - Canadian Studies Center","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"bN4ZBRfpRX\"><a href=\"https:\/\/jsis.washington.edu\/canada\/news\/first-nations-art-resistance-and-governance-in-canada\/\">First Nations art, resistance and governance in Canada<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/jsis.washington.edu\/canada\/news\/first-nations-art-resistance-and-governance-in-canada\/embed\/#?secret=bN4ZBRfpRX\" width=\"600\" height=\"338\" title=\"&#8220;First Nations art, resistance and governance in Canada&#8221; &#8212; Canadian Studies Center\" data-secret=\"bN4ZBRfpRX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/jsis.washington.edu\/canada\/wp-content\/uploads\/sites\/20\/2021\/03\/IMG_4218-1024x682.jpg","thumbnail_width":1024,"thumbnail_height":682,"description":"Kathryn Bunn-Marcuse, Art History, developed a micro seminar for graduate students \u2013 ART H 597C: First Nations Art, Resistance, and Governance: Haida and Kwakwa\u0331ka\u0331&#8217;wakw Art Against Extraction. The seminar explores, in part, how art of the Northwest Coast functions within the political realm of Canada\u2019s Truth and Reconciliation Commission and in the face of extractive"}